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Grace and Resilience

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This painting is inspired by the biblical account of Exodus, where the Israelites, in their flight from oppression under Pharaoh, crossed the Red Sea in search of the Promised Land, a land described as flowing with milk and honey. It is a story of deliverance, faith, and the courage to move forward into the unknown. In this composition, the towering passage through the parted waters becomes more than a physical path; it is a spiritual ascent. The figures, small yet determined, suggest humanity’s collective struggle, each step forward marked by uncertainty, yet guided by hope. The sweeping motion of the sea evokes both danger and divine protection, capturing a moment suspended between fear and freedom. This work also echoes the themes of my memoir, Grace and Resilience. Just as the Israelites journeyed through hardship toward promise, my own life reflects a passage through trials, guided by faith, endurance, and an unwavering belief in brighter horizons. The painting becom...
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Book Launch

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I have just 30 copies of my memoir left, and rather than selling them, I have chosen to give them as gifts. Each copy will go to those who support the Matthew Adekunle Medupin Foundation with a minimum donation of £20. The foundation is very close to my heart, as it is dedicated to helping orphans, widows, and those living with sickle-cell disease in Ogidi-Ela, my hometown in Nigeria. The memoir will be launched on Saturday, 9th May, as part of my 6th Art Exhibition at the Upper Hall of St William of York Roman Catholic Church, Forest Hill, London, from 12 noon to 5 pm. The event will also form part of the celebration of my 76th birthday. It would mean a great deal to me to have you there—to share in this special moment of art, purpose, and personal milestone. You are most warmly invited. Please DM me for more information.
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Book Launch

Image
I have just 30 copies of my memoir left, and rather than selling them, I have chosen to give them as gifts. Each copy will go to those who support the Matthew Adekunle Medupin Foundation with a minimum donation of £20. The foundation is very close to my heart, as it is dedicated to helping orphans, widows, and those living with sickle-cell disease in Ogidi-Ela, my hometown in Nigeria. The memoir will be launched on Saturday, 9th May, as part of my 6th Art Exhibition at the Upper Hall of St William of York Roman Catholic Church, Forest Hill, London, from 12 noon to 5 pm. The event will also form part of the celebration of my 76th birthday. It would mean a great deal to me to have you there—to share in this special moment of art, purpose, and personal milestone. You are most warmly invited. Please DM me for more information.
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Grace and Resilience

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This abstract painting is the cover of my memoir, titled Grace and Resilience, a story of my life. The composition is divided into two zones, warm and cool, to symbolise the dual aspects of my life’s journey: struggles and triumphs, pain and healing, youth and maturity. The warm side, with its reds, oranges, and yellows,  reflects energy, faith, determination, and love: the inner fire that carried me from rural beginnings to urban life and creative self-discovery.  The cool side,  in hues of blue,  represents calm, reflection, spirituality, and grace: the quiet strength that sustained me through transitions and challenges. The swirling, blended motion of the colours, rather than a strict separation, suggests that my journey has never been linear. Life’s experiences, emotions, and stages flow into one another,  grace intertwined with resilience. This also echoes the impressionist nature of my art, a hobby I discovered by accident at the start of my se...
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The Path of Return

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This painting was created in November 2020 and is inspired by the biblical story of the prodigal son. While the story is widely known, my interpretation is deeply personal. It reflects moments from my own young adult life, where I witnessed, and in some ways experienced, the journey of departure, struggle, and return. , The central embrace represents acceptance beyond judgment, while the dark path speaks to the trials that often precede restoration. The surrounding village and figures are not just background, they are witnesses, much like society, family, and memory, which observe our journeys whether we realise it or not. This work is not about perfection in form, but truth in experience. It is a reminder that no matter how far one travels, there is always a path that leads back.
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Seaside Memory in Stone

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My exploration of different media has been an integral part of my artistic journey, as I continually seek new ways to represent the world around me. This particular piece marks one of my early experiments with rock painting, inspired by a memorable holiday in the seaside town of Bognor Regis. The rocks were part of the seaside memorabilia I brought home. Simple and natural keepsakes that carried with them the atmosphere and quiet beauty of the shore. Transforming one of these stones into a painted surface gave me a way to extend that experience beyond the moment. During that time, I was captivated by the lively presence of birds along the coast all gracefully moving through the air and coexisting with the vibrant seaside environment. Their energy, colour, and freedom left a lasting impression on me, and it felt only natural to make them the subject of my first attempt at painting on stone. This small rock painting therefore carries more than just an image; it embodies a che...
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Seeds of Education

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My decision to create an impressionist representation of the cocoa tree in this painting is both a tribute and an expression of deep gratitude for the pivotal role this “golden tree” has played in shaping lives. Its economic value supported not only my own education but also that of millions across South Western Nigeria, both before and after independence. In my memoir, I recount my father’s ownership of an expansive cash crop plantation in Western Nigeria, where cocoa was the principal produce. The income derived from this enterprise became the foundation upon which the educational aspirations of our family were built—extending beyond his immediate children to members of our extended family. This work, therefore, is more than a visual interpretation; it is a reflection on legacy, sacrifice, and the enduring power of agriculture to transform generations.
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